Sometimes a submission theme comes around that feels tailor-made for the poems you’ve been working on. Rarely, but what a delight!
When I heard The Clayjar Review’s call for poems about Sound, I knew these three poems had to be in the submission mix. I expected only one to be chosen, if any, so what a joy to receive word that all three were accepted as a triptych for the issue.
What does sound have to do with sculpting? And what does the unnamable have to do with acts of creation?
You can read all three poems, as well as listen to me read them aloud, here.
